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The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, by Mike Madrid
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“The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics.”—STAN LEE
“A thoughtful, comprehensive history of women in comics . . . The Supergirls gleefully celebrates the medium itself, in all its goofy, glorious excess.” —NPR “Best Five Books To Share With Your Friends” citation
“Sharp and lively—and just obsessive enough about women who wear capes and boots to be cool but not creepy. [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex.” —Entertainment Weekly
Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can’t defeat? Entertaining and informative, The Supergirls explores iconic superheroines and what it means for the culture when they do everything the superhero does, only in thongs and high heels.
This much-needed alternative history of American comic book icons—from Wonder Woman to Supergirl and beyond—delves into where these crime-fighting females fit in popular culture and why, and what their stories say about the role of women in society from their creation to now, and into the future.
Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics (forthcoming from Exterminating Angel Press in October 2013) and The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR “Best Book To Share With Your Friends” and American Library Association Amelia Bloomer Project Notable Book. Madrid, a San Francisco native and lifelong fan of comic books and popular culture, also appears in the documentary Wonder Women! The Untold Story of American Superheroines.
- Sales Rank: #542294 in eBooks
- Published on: 2009-09-01
- Released on: 2009-09-01
- Format: Kindle eBook
Review
National Public Radio “Best Book To Share With Your Friends”
American Library Association Amelia Bloomer Project Notable Book
“The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics.”—STAN LEE
“A thoughtful, comprehensive history of women in comics . . . The Supergirls gleefully celebrates the medium itself, in all its goofy, glorious excess.” —NPR “Best Book To Share With Your Friends” citation
“From the super heroines of today to ‘Goddesses of Tomorrow,’ Madrid questions the position of women in the world of superhero fantasy, showing the parallels between society’s expectations and the depiction of American women in comic fiction.” —American Library Association Amelia Bloomer Project Notable Book citation
“Sharp and lively—and just obsessive enough about women who wear capes and boots to be cool but not creepy. [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex.” —Entertainment Weekly
“Weird and wonderful all the way through.” —Portland Mercury
“There comes a time in every comic book geek slash fashionista’s life when she must ask herself ‘What do costumes and couture have in common?’ The Supergirls sets out to answer that question. . . . A quick read that skims over the history of publishing powerhouses Marvel and DC, making it informative enough and providing sufficient cultural context for those who may have no prior comic book knowledge.” —WORN Fashion Journal (Canada)
“Any comics or graphic novel library needs The Supergirls. It provides a cultural history of comic book heroines and asks whether their fantasy world has any connection to our own, offering a fine survey of different super-women in comic history and crime fighting. Any long-time comic book reader will relish this blend of scene re-creation and social analysis.” —Midwest Book Review
“Mike Madrid’s fast-moving, encyclopedic, and often funny Supergirls shows the author’s lifelong affection for these heroines on every page. He has a great feel for the genre and its history, with evident sensitivity to issues of female power and powerlessness. The section on the She-Hulk is not to be missed!” —LARRY GONICK, author of Cartoon History of the Universe
“Entertaining and informative, Supergirls is a breezy and thoroughly accessible history of the comic book heroine. A great resource!” —MARC ANDREYKO, author of the DC Comics Manhunter series
From the Inside Flap
"Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comic."-Stan Lee
"The Supergirls...is sharp and lively- and just obsessive enough about women who wear capes and boots to be cool but not creepy. The guy clearly loves this stuff. A-" Entertainment Weekly"as it delivers its clear-eyed critique of the way mainstream superhero comes alternately eroticized or deified female characters, The Supergirls gleefully celebrates the medium itself, in all its goofy, glorious excess."-NPR
From the Back Cover
Comic book super heroines bend steel, travel across time and space, and wield the mighty forces of nature. These powerful women do everything that male heroes do. But they have to work their wonders in skirts and high heels. The Supergirls, a cultural history of comic book heroines, asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman's search for identity, Batwoman and Power Girl's battle for equality, and Manhunter's juggling of crime fighting career and motherhood also an alternative saga of modern American women?
Most helpful customer reviews
43 of 45 people found the following review helpful.
Interesting Survey of Women in the Superhero World
By Travis
The thesis for "The Supergirls" is obvious; Mike Madrid explores the depiction of women in the superhero world, and as one might expect, he concludes that more often than not, they have been mistreated. The text is presented in a very accessible fashion that does not pre-suppose much familiarity with the characters and stories he cites throughout, though I do feel he should have done a clearer job explaining a few major industry-wide events. For the most part, the book is structures chronologically, beginning with the late 1930s/early 1940s, and concluding in the 21st Century. Wisely, though, Madrid has constructed each chapter around a theme specific to each era. This means that each chapter is, essentially, its own thesis essay within the frame of the overall book.
I do wish Madrid had been more specific in naming the creators and editors of the stories he referenced. Most citations simply lay the blame for mishandled characters at the feet of their publisher, but more often than not he doesn't even identify which publisher was responsible for a character's woes. Maybe it's just a by-product of earning my degree in history, but I felt this was relevant information that the reader shouldn't have to supplement on his or her own. After all, it was individual men and women who made the choices about the content of the issues that hit the stands; Madrid suggests by omission of their names that some faceless order simply decreed how things would go.
Also conspicuously absent are any insights from anyone within the industry. A spattering of quotes taken from previously published interviews appear, but it seems that either Madrid was uninterested in, or more likely unable to, interview anyone for the purpose of this book. It may not seem to matter, but it gives this the feel of one of those "unauthorized biographies," where the subject is not actively represented to defend against any accusations against it.
Madrid bandies about spoilers for characters's fates throughout. You may never have read a single comic book featuring Ms. Marvel, and while Madrid may rouse your interest, he will likely quash it by the book's end, because there's a sense there's nothing for you to find in the material itself that he hasn't already told you. So, while this is written with the non-enthusiast in mind, it rather perversely lessens the need some readers will feel to explore the subject material for themselves.
Finally, it's worth mentioning that Madrid's scope is largely confined to a few characters from the DC Comics and Marvel Comics rosters; indie characters are largely ignored. And, strangely, Madrid discusses Batman as much as, or more than, any other character throughout. Batwoman, Catwoman, Batgirl and Wonder Woman are all evaluated vis a vis their relationships with the Caped Crusader. Which, really, is ironic given that Madrid argues throughout that women characters have been unfairly defined by the sensibilities of their male creators for their male readership.
21 of 24 people found the following review helpful.
Teriffic Book BUT.....
By James Held
The author has done his homework and has a great feel for the comic books through the ages.
VERY disapointed to see no illustrations in the book. It's one thing to talk about Wonder Woman going from Bermuda Shorts to a thong. . . better to see it.
And would have been nice to see drawings of some of the more obscure characters in the book too to refresh my memory.
Highly recommended.
24 of 28 people found the following review helpful.
er...more girl power...
By RabbitWithFangs
I really enjoyed Mike Madrid's overview of female superheroines, but i thought it really needed some illustrations to illuminate his points. I realise copyright would have been involved but It can't have been impossible. I just wanted pictures in my head of how the art styles, body types and especially the costumes had evolved over 60 years. All in all a great, quick read which makes me want to explore further...
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